The artists and designers included in the exhibition are Thora Dolven Balke, Massimo Bartolini, Hernan Bas, Guillaume Bijl, Maurizio Cattelan, Elmgreen & Dragset, Pepe Espaliú, Tom of Finland, Simon Fujiwara, Han & Him, Laura Horelli, Martin Jacobson, William E. Jones, Terence Koh, Jani Leinonen, Klara Lidén, Jonathan Monk, Nico Muhly, Norway Says, Henrik Olesen, Nina Saunders, Vibeke Slyngstad, Sturtevant and Wolfgang Tillmans.
Other features Fredrik Sjöberg's Fly Collection, Massimo De Carlo's Porcelain Collection, Collected Etnographica, Real Estate Agents performed by Helen Statman & Trevor Stuart.
Klara Lidén
born in Stockholm, Sweden in 1979
lives and works in Berlin, Germany
www.reenaspaulings.com
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Education / Awards / Grants
2009, Recipient of Foundation For Contemporary Arts Grant 2009, New York
2004–2007, University College of Arts Crafts and Design, Konstfack/MFA, Stockholm
2003, Universität der Kunst, Berlin
2000–2004, School of Architecture, Royal School of Technology, StockholmSelected Solo Shows
2009, Museum of Modern Art Project Space, New York
2009, Kunstverein Fridericanum, Kassel
2008, Elda för kråkorna, Reena Spaulings Fine Art, New York
2007, Klara Liden, The Hayward Gallery, London
2007, Unheimlich Maneuver, 05.01-06.24, Moderna Museet, Stockholm, Sweden
2006, Economy Class, Reena Spaulings Fine Art, New York
2004–2005, Dr. 3000, Reena Spaulings Fine Art, New YorkSelected Group Shows
2008, After Nature, New Museum, New York
2008, Tarantula, Trussardi Foundation, Milan
2008, Meet Me Around the Corner, Astrup Fearnley Museum, Oslo
2008, The Sydney Biennale, Sydney
2007, MD 72, Berlin
2007, UM-KERHUNGEN / INTERAKTION I, Kunstverein, Braunschweig
2007, Beneath the Underdog, Gagosian Gallery Madison Ave, New York
2007, Uncertain States of America, Center for Contemporary Art, Warschau
2007, 2. Moscow Bienniale. 2007, Moscow
2007, Nothing Else Matters, De Hallen, Harleem
2007, Massive Analogue Academy, Galerie Christian Nagel, Cologne
2007, The Perfect Man Show, White Columns, New York
2006, Looking Back, White Columns, New York
2006, MUSIC IS A BETTER NOISE, P.S.1, MOMA, Long Island
2006, Subito Sera, Galleria Zero, Milan
2006, Street Behind the Cliché, Witte de With, Rotterdam
2006, Berlin Biennale, Berlin
2006, Nuevo Estocolmo, Södertälje Konsthall, Södertälje
2006, Various performances with Malin Arnell in Stockholm
2005, Reena Spaulings– The One and Only, Haswellediger Gallery, New York
2005, LTTR Screening, New York
2005, Spring show, Fotogalleriet, Oslo
2005, When Humor Becomes Painful, Migros Museum für Gegenwartskunst, Zurich
2005, MIX NYC, Anthology Film Archives
2005, Outfest, Los Angeles
2005, Various performances in StockholmSelected Bibliography
2008, Thorne, Sam, “Klara Liden, Anarchic Urbanism..”, Frieze Magazine, Issue 116
2008, Scott, Andrea; “Klara Liden”, The New Yorker, March 2
2008, Smith, Roberta; “Klara Liden”, New York Times, Feb 22
2007, Jones, Ronald; “Klara Liden, Moderna Museet”, Artforum, September
2006, Saltz, Jerry; “The Sublime is Us”, Village Voice, June 29,
2006, Bryan-Wilson, Julia; “Repetition and Difference, on LTTR”, Artforum, Summer
2006, Catalogue, Berlin Bienniale, Feb
2006, “Best Of The Year”, New York Magazine, January
2005, Basta, Sarina; “Strategie Der Taktik”, Texte Zur Kunst, March
2005, “Klara Liden”, Matt Wolf, Flash Art, March/April
2005, “Klara Liden”, Brooklyn Rail, February
2005, Smith, Roberta; “Klara Liden”, New York Times, Jan 14
2005, Cotter, Holland; “Reena Spaulings”, New York Times, Jan 12
2004, Cotter, Holland; “The Year This City Could Have Had,” New York Times, Dec. 12
2004, “Stockholm at Large,” Färgfabriken
2004, Cotter, Holland; “LTTR Explosion,” Art in Review, New York Times, Aug. 6
2002, Fabrik
2002, Dagens Nyheter, DN på Stan, April
2002, “Situation Stockholm,” September